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The Blog

Top 5 Tips On Identifying The Best Drams At A Whisky Festival

May 20th, 07:38 PM

It’s whisky festival season (does it ever end!) and we’ve already been to a few this year, while our stock has been represented by our distributors in Europe and East Asia. As you’ll know a whisky festival is a great opportunity to try new releases, expand your own palate while also trying some of your favourite drams.



In light of this, I thought I would share my tips on what to look out for and how to identify the best drams at a table!

Tip 1 - Has the bottled used colouring?

Every whisky festival I go to I’m aware our dark coloured stock goes first; people look beyond the cask styles, the maturation length and the distillery and narrow down their whiskies based solely on colour. I can understand this, darker whisky implies greater maturation which is desired and there is the expectation of those highly sought after fruity sherry flavours. However, I would caution against anyone selecting a whisky based on colour because of the use of caramel colouring, it is very common in the whisky industry and gives a likeness of richness and colour. The easy way to identify caramel colouring is to ask the person behind the stand and they’ll tell you, the majority of independent bottlers, including myself, don’t use colouring.

Tip 2 - Whisky doesn’t have to be over 10 or 15 years old to be ready.

A pet hate of mine is when a customer looks at some of my releases and states too young. This is for a 10-year-old single malt matured in a bourbon barrel. A better way to understand if a whisky is too young for your palate is to identify the maturation vessel such as the oak cask. A quick tip, generally speaking, the smaller the cask the faster the maturation. Please read my post on maturation to get more detail, below is a quick summary.

When a new spirit is placed into a cask the majority of flavour from the cask and colouring comes in the first 6-12 months. After this, the cask allows a sufficient level of oxidation (contact with the air) that allows for the removal of undesirable characters of the distillate or allows the oak flavours to mask the undesirable flavours. The removal of undesirable characters happens within a few years. As the years go by the alcohol level will gradually reduce as the liquid evaporates through the cask (Angel share). After 10 years there is no shareable research as to what happens to the whisky but the assumption is greater mouthfeel and balance, while the alcohol and volume reduce. The smaller the cask the greater the amount of evaporation and the more oak to spirit to contact which means aspects of maturation take place at a faster rate.

What can be taken from this is after only a few years whisky can be good and the smaller the cask the sooner it can be released. From small to large, you have Octaves, Quarter Casks, Barrels, Hogshead and Butts.

Tip 3 - Ask the person behind the stall what they would recommend based on your preferred whisky.

Don’t be shy asking for a recommendation as this is usually a good opportunity to get a bit of the story behind the cask and why it was released. Each one of our casks has been on a journey and I’ve tasted each of them and prepared them for this moment for you to taste so ask away!



Tip 4 - Don’t have peaty whisky first.

Just don’t do it, you’ll only be able to taste peaty whisky for the rest of the day so you’re limiting what you can try. If you're new to whisky, be aware that peat is not limited to Islay, many Speyside distilleries have peat releases and any distillery can do it. Also, not all Islay whiskies are peaty, our Secret Islay is from a distillery on Islay that doesn’t distil peaty whisky normally.

Tip 5 - Know your limits. 

A whisky festival is a great chance to try and sample whisky. However, a number of releases at these events will be cask strength, all of our stock is cask strength. Cask strength can be anywhere, even below normal strengths of 46% as it’s just a term used to describe the strength of the whisky but in most cases, it is very much higher than standard strength whiskies. The best way to approach cask strength is to try it at its cask strength first and then water it down to your preferred level.

These are 5 tips from my experience at whisky festivals. If you see me at my stand feel free to say hello and ask if I have any of the behind the table stuff, as I always have something special behind the table!


Myth Busting Maturation

May 16th, 04:10 PM

Maturation is a key aspect of the production of Whisky. Companies spend millions of pounds on sourcing oak from the Ozark region in the US for wood that will be used for the production of specific casks and the location of good bodegas in Europe is highly sought-after industry knowledge. This is all due to statistics such as 80% of a whisky’s flavour comes from the cask. However, taken literally this is not the case. 

Maturation is a step in the production of whisky that is required to improve the sensory qualities of whisky and an oak cask is a tool used to achieve good maturation. 

New spirit from a still is clear like gin and when it is filled into the cask it will take all of its colourings from the cask, the amount of charring the cask has endured, the cutting into the wood and charring it; the deeper the char the more colour 

The new spirit will take the majority of the colour and flavour that it can from the oak alone within the first 6-12 months. It is good to imagine a cask as a big sugar-coating tub as wood contains lots of sugar which add sweetness amongst other flavours to the spirit. The amount of flavour donated to the spirit from the cask depends on the quality of the oak. This can be highly variable even if it’s from the same forest and the same treatment of the wood, such as how long was it seasoned in a kiln or outside in the open air, or the level of toasting/charring (charring the inside of the cask at varying temperatures caramelises oaks sugars to release different flavours from cola, custard and spice amongst many others).  

An interesting suggestion from the field of research in maturation is that a Sherry cask matured whisky does not necessarily get it’s Sherry flavour from the Sherry that was filled into the cask previously but from the oak.  Oak typically used to produce Sherry casks is from Europe and European wood has a greater level of tannins and fruitiness – where US oak is kilned, European Oak is left outside for seasoning so the tannins can be reduced.  

During and after 12 months, the oak allows for sufficient oxidation to take place. This drives away many of the undesirable characters from the spirit such as sulphur. However, over-oxidation can create vinegar! Oxidation is a key aspect of maturation, like the browning of an apple. It allows the breakdown of flavours from the cask while esters (fruity flavours from the distillation) are enhanced/uncovered. The level of oxidation depends on the cask size, where it is located in the warehouse and the strength of the alcohol when it was filled into the cask. 

There is little known about maturing spirit over 10 years with exception to it generally being a smoother spirit with particular emphasis on mouthfeel being improved. 

The large changes in new spirit into whisky result from the loss of some of the undesirable flavours from the original distillate with a more limited contribution from the wood (Whisky, Technology Production and Marketing. 2nd Edition, 2014. I. Russel and G. Stewart). 

Grain Whisky

May 8th, 06:45 PM


Last year we released a few single grain casks of Whisky, a Girvan Grain and before that an Invergordon. In the future, we will continue to release single grain casks as matured grain is exceptionally tasty and good value.  

It is a different product to Single Malt and probably has more in common with gin than single malt due to the way it is produced. 


Scotland only has 7 grain distilleries compared to over 120 single malt distilleries, but grain distilleries are much larger – Diageo’s Cameron bridge has a capacity of 110,000,000 a year whereas Glenfiddich, with its 13 pot still produces 13,000,000. 

Cameron bridge DistilleryGrain whisky is made from different ingredients to single malt whisky. Grain can be 85-90% grain and 10 + 15% malted barley. By grain, we are referring to maize, wheat and other cereal products that are much cheaper than barley and which are usually cooked first. Single malt whisky can only be produced using malted barley. The spirit which is used to produce gin is called Grain Neutral spirit and can be 100% grain but the production of grain whisky requires adherence to legislation laid out in the Scotch Whisky Act 1998. Grain neutral spirit does not have to adhere to this act and therefore cannot be used in whisky but grain whisky could be used as a high-quality Grain Neutral spirit for gin. 

Grain whisky is produced to be around 95 per cent ABV, whereas single malt is closer to 69 per cent ABV. Where in Scotch we look for a high concentration of congeners (flavour compounds) in grain the target is low congeners and greater rectification; more strength and smoothness. The reason for this is that most of the single grain whisky is used for blending; to act as a base for malts.  

Grain whisky is distilled using continuous distillation whereas single malt whisky is doubled distilled in batches. Grain Neutral spirit is also distilled using continuous distillation. Continuous distillation was invented by Robert Stein in at Kilbagie Distillery in response to the growing demand for gin in the early 19th Century. Aeneas Coffey, who visited the distillery, was an exciseman from Dublin and after making a few ‘amendments’ to the design he patented it… Robert Stein would later take his design to his cousin’s distillery at Cameronbridge owned by John Haig. 

 Coffey still 
(Image taken from ScotchWhisky.com) 

The ‘Coffey still’/Patent still is an incredible piece of kit which utilizes two columns to strip the alcohol from the Wash (this is the grain mixed with water after fermentation) and then rectify it to increase the alcohol level and purity. Once complete, the spirit that is to be made into whisky will be reduced from 95% to 63% and filled into casks to be matured for a minimum of 3 years like whisky. 

If the spirit was to be used for gin it would be infused with botanicals and possibly re-distilled depending on the desire of the gin house but fundamentally the original distillation process is the same for gin and single grain whisky. 

Peat, Peat, Peat

Apr 29th, 05:24 PM

 Peat stacking 





When I first started drinking whisky, peaty whisky was not enjoyable and as recently as two years ago I still didn’t like peat. This changed when I went to Feis Islay in 2018 and I tried so many different peaty whiskies that it finally clicked, like when you start drinking beer and it’s not great and then one day it’s good and it works. Funnily enough, the main reason I’ve found that people turn off from whisky is that when they were young they either had a bad experience with a heavily peated dram or a substandard blend. 

The sort of flavours you would expect from peat are medicinal and smokiness. To obtain peat flavour, the malted barley is dried using heat from peat during the killing stage of production.

Even Prince Charles cares about your peaty dram - Prince Charles stocking the peat kiln at Laphroaig. Image is taken from The Distiller Blog 

The temperature and length of time the barley is kilned with peat will determine much of the intensity of the flavour; high temperatures reduce smokiness while wetter barley absorbs more of the flavours. 

Peaty whisky is an acquired taste for sure but although Islay is famous for peat many other mainland distilleries create peaty releases from Glenturret, Macallan (although they are sold under different brand names) and Ben Nevis amongst others. 


In fact, most distilleries that I approach for new spirit will provide quotes for peated new spirit too so we’re going to see much more of it coming from other locations in addition to Islay.

There are 6 main sites for peat in Scotland and it has been identified that each site has a different flavour characteristic. The reason for this is that peat is a decomposition of vegetable matter so if you imagine that each of these 6 peat sites had a different makeup of trees and vegetation then it makes sense that when this vegetation decomposed that the different plants, flowers and trees would have different flavour characteristics.  

Hobbister Hill 
peat bog 

 







  • Hobbister Hill, Orkney Blanket bog
  • St Fergus, Aberdeenshire raised bog
  • Tomintoul, Banffshire raised bog
  • Garlbreck Moss, Islay basin bog
  • Glenmachrie moss, Islay Basin bog
  • Castlehill, Islay blanket bog

Peat PPM is generally acknowledged as the following:

Lighted peated malt is 1 – 5 PPM  

Medium peated malt is 5-15 PPM 

Heavily peated malt is 15-50 PPM 

If you would like to learn more about peat and the different flavours from the different bogs then check out this blog about Peat Terroir.

Still Shape And Flavour

Apr 22nd, 07:04 PM

Visiting a distillery can be great fun and viewing the stills is always a highlight because in your mind, or at least in my mind, you recognize this is where that distillery’s unique spirit is created.
Regardless, if folk suggest that it takes place during fermentation or it’s more to do with barley strain or to do with the casks – a great deal of responsibility lies on those elegant copper pots.  

So how do they do it and what influences the spirit character?

First and foremost, the still, pipes, condensers and connecting pipework are made of copper. Copper is an incredible reactive metal which removes undesirable flavours such as sulphur while enhancing desirable compounds from the original barley – the amount of time the spirit is in contact with copper enhances these virtuous qualities, so it makes sense to want to have as much copper contact as possible. The relative amount of copper contact used in the process will determine the end spirit

Stills come under three broad shapes – Ball, Lampglass and Plain


Depending on the height and shape of the still will determine the reflux. Reflux is the condensation of liquid into vapour and its return to the boiling liquid; the effect of reflux is to increase the alcohol strength in the distillate, creating a purer distillate with greater separation of volatile components and the richer the spirit will be. 

Therefore, longer and narrow necks with upwardly directly lyn arms lead to greater reflux. However, a longer and narrower still does not provide adequate copper contact so a balance needs to be struck.


Edradour still

Glenfiddich’s stills


The size of the still is very important; distilleries in Scotland can have anything from a 2,200 spirit still at Edradour to Glendiffich which has 10 spirit stills each with a capacity of 4,500 litres. The larger a still the less copper to spirit contact and so the meatier and more sulphur the end distillate.



Worm Tubs at DalwhinnieThe type of condensers will influence the character of the spirit. The condenser takes the refluxed/vaporized spirit and feeds it back into the boiling liquid. It can be in two forms; traditionally a worm tub has been used which is located on the outside of the distillery and is made up of a spiralling copper coil which the vapour passes through and is cooled by outside water which surrounds the copper pipes cooling it – the worm tub is meant to produce a meaty flavour. 

The shell and tube heat exchangers are another type of condenser which is located in the still house and which cools the cooper pipers by passing water through vertical tubes. The copper in the still slowly degrades over time and will need to be replaced every 15 or so years; the age of still will have an influence on the quality of spirit.

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